Tell us about some of your healing and arts practices.
As far back as I can remember, I have been intrigued by occult spirituality and sciences, pyramid technologies, extraterrestrial phenomena, quantum theory, alternate states of consciousness, psychic abilities, and healing traditions rooted in ancient cultures. As an artist and healing arts practitioner, these interests inform and influence one another, culminating in unique expressions of artistic and spiritual practice.
I view my artwork as a form of healing technology. I am particularly interested in sculpture and architecture as mediums for healing and transformation, exploring the relationships between matter, energy, geometry, and consciousness.
In 2012, I built my first energy device, modeled after a 1920s invention by Leon Ernest Eeman called a Biocircuit. Constructed from copper wires and pipes, it was designed to work with the body’s polarity and energy field. The first time I lay down in the circuit, I experienced what felt like energy moving upward from my root, up up up, a spiraling of energy higher and higher. A wonder! It was a profound experience that has compelled me to keep experimenting and to share this exploration with others.
In 2016, I became Reiki certified. In 2019, I studied psychic development at the Holistic Studies Institute and was ordained as a Minister with the Spiritualist Church of NY and The Temple of Sakkara in Michigan. In 2020, I became a ThetaHealing® Technique practitioner and began studying Western esotericism, Hermetic philosophy, earth-based spiritual traditions, Kabbalah, ceremonial magic, and angelic practices with the Golden Hummingbird Institute.
What is your modality? What are its benefits?
For individual and group healing sessions, my practice draws upon all of these influences, which come together intuitively during each healing session like a cosmic weaving. I work as a channel, inviting these energies to move through me and inform the healing process. Working within a spiritual framework that extends beyond conventional understandings of time and space, I explore energetic connections and patterns that may be rooted in ancestry, past lives, childhood conditioning, present-life circumstances, and unconscious belief systems. The intention is to bring awareness to these underlying influences and support the release of energetic patterns that may be limiting personal growth and well-being. I also offer space clearings to rebalance environments where energetic disturbances are present.
Why do you practice with HCHR?
I practice with HCHR because I deeply believe in its mission: Health Care Is a Human Right! Although energy work is certainly not a new concept, many people have yet to experience these modalities for a variety of reasons, often because of financial barriers. HCHR provides a welcoming, accessible environment to explore alternative approaches to self-care, opening new avenues of awareness and personal discovery while removing those barriers.
What do you do in your time away from HCHR? What are you working on now?
I am currently collaborating on The Alchemist’s Garden, a sculptural project featuring planters I’m designing inspired by the classical planets and their symbolic and elemental qualities. The garden is scheduled for installation in Los Angeles at the Philosophical Research Society in the new year.
I am also collaborating with artist Genevieve de Leon to fabricate a pyrite mirror inspired by ancient scrying devices for an exhibition in New York in February 2027.
Angel with their pyrite mirror, inspired by ancient scrying devices. One gazes into it to divine answers to questions.
Learn more about my work and individual offerings at www.angelfavorite.com.